About

I use writing and collaborative practices to bring new ideas to life through film and theater. But it took many years to get to this point….

When I was eight years old, my Mom took me to see a local youth theater’s production of Joseph and the Amazing Technicolor Dreamcoat. I sat frozen in awe, absorbing every note, color, and twirl of the performers. As soon as the curtain lowered, I turned to my Mom and informed her I would be in the theater’s next show.

Thirty-five musicals later, I was deeply in love with the comedy and dramatics of the theater, so I set off to Pitzer College to study…. Psychology. Luckily I quickly realized this path was not for me. Though it was scary to commit to my dreams, I went for a Creative Writing major and Theater minor. As my thesis, I wrote the book and lyrics to a full musical inspired by my college a cappelle group, The Claremont Shades.

After college, I put my theater work aside to learn more about the TV and Film industry of Los Angeles. I worked in reality TV as an assistant to EP Mark Burnett before transitioning to freelance production work on independent films and web-content (to see some examples of this work please check out my ‘Collaborator’ page).

Whether I was collaborating as a Costume Designer, Producer, Director, or Performer, I learned about the craft and my own abilities from each project. I loved the endless dreaming during development, the non-stop energy on set, and the creative puzzle piecing of post-production. But one thing was missing: the live engagement of theatre. So I decided to go back to school and investigate where the worlds of media and live performance meet.

Performing stand-up comedy in LA

Performing stand-up comedy in LA

I moved to London in 2016 to join the first MFA class in Advanced Theatre Practice at the Royal Central School of Speech and Drama. The course brought together creatives with varied backgrounds of practice to create together in workshops led by innovative theatre-makers. For the first time I was being asked to make work that engaged the audience beyond the confines of the theater and screen.

I believe a well conceived musical is able to capture me when a song hit my body and mind, causing me to forget where/what/who/when/why. I just am. The MFA program showed me ways to amplify this feeling, permitting participants to lose themselves in a show and truly experience rather than just witness. Now back in the States, I’m continuing my exploration and creation of work that engages the audience in new ways. I’m always willing to talk about my work and learn what other’s are doing, so please feel free to reach out!

 

 

 

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